Sara O’Brien

from Cascadence

from Cascadence

from Cascadence

from Cascadence

from Cascadence

Marissa Cummings

from See me, Hear me, Know me: Digital design for health storytelling

from See me, Hear me, Know me: Digital design for health storytelling

from See me, Hear me, Know me: Digital design for health storytelling

from See me, Hear me, Know me: Digital design for health storytelling

from See me, Hear me, Know me: Digital design for health storytelling

Megan Rudden

from Sickness in the Sacristy

from Object

from Object

from Object

from Object

Andrew Ross

Andy Ross with Shetland Tweed Autumn cloth

Tingwei Wang

from Friend in Cushion

from Other Works or Projects

from Other Works or Projects

from Prototyping – Museumate

from Prototyping – Museumate

Eva Wang

from Quit It

from Blob

from Hold/Held

from Can You Direct Me, Please

from Quit It

Molly May O’Leary

from Lambent Flame

Harriet Simms

from Avenues of Dialogue – Using Participatory Design to open up dialogue between The Glasgow School of Art and Garnethill

from Avenues of Dialogue – Using Participatory Design to open up dialogue between The Glasgow School of Art and Garnethill

from Avenues of Dialogue – Using Participatory Design to open up dialogue between The Glasgow School of Art and Garnethill

from Avenues of Dialogue – Using Participatory Design to open up dialogue between The Glasgow School of Art and Garnethill

from Avenues of Dialogue – Using Participatory Design to open up dialogue between The Glasgow School of Art and Garnethill

Fraser MacBeath

from Tiugainn Dachaidh

from Tiugainn Dachaidh

from Tiugainn Dachaidh

from Bha Là Eile Ann – Radiophrenia Glasgow 2020

from Clyde Built

Kirstin Mclellan

from Time

from Trial Day

from When the Rudder Snaps

from To Send or Not to Send

Niamh Mundy

from The Digital Dolphin

from The Digital Dolphin

from The Digital Dolphin

from The Digital Dolphin

from The Digital Dolphin

Daniel Murray

from Ozwomp’s Voyage in Cyberspace

from MoMG: Gif Gallery

from MoMG: Gif Gallery

from Ozwomp’s Voyage in Cyberspace

from Ozwomp’s Voyage in Cyberspace

Daniel_Morrison_Neil

from Video_Game_Audio

from Video_Game_Audio

from Video_Game_Audio

from Binaural_Compositions

from Binaural_Compositions

Fiona Patten

from Distorted Daydream

from Spectral Space : Notating Spatial Audio

from The Color of Pomegranates – Reworked audio scene

Oscar Prentice-Middleton

from fly undone

from fly undone

from fly undone

Darren Robertson

from Blethers

from Alternative Controller Research

from Blethers

from Alternative Controller Research

from Alternative Controller Research

Eye Suriyanon

from

from

from

Esme Van Der Beken

from Visualising Climate Change Effects on Built Cultural Heritage

from Visualising Climate Change Effects on Built Cultural Heritage

from Visualising Climate Change Effects on Built Cultural Heritage

Harrison Wong

Maria Zioga

from “Who’s a Good Girl!”

from “No Escape”

Xiangyu Zhu

from Creative Circle

from Creative Circle

from Creative Circle

from Creative Circle

from Creative Circle

Sinaoife Andrews

from Build a Brainstem

from Build a Brainstem

from Build a Brainstem

from Build a Brainstem

from Build a Brainstem

Joanne Barton

from Oncofertility App

from Oncofertility App

Lea Mariella (Brinon)

from Medical Illustration and Interaction Portfolio

from Medical Illustration and Interaction Portfolio

A digital illustration of the inner anatomy. The inner anatomy starts at the vaginal entrance, which is the lowest point of the vulva. The vaginal entrance continues in the body as the vagina, before reaching an end point called the cervix. The vaginal entrance continues inside of the body upwards and diagonally towards the back or the buttocks. The cervix acts as a barrier between the vagina and the uterus, in the case of bath water or tampons, for example. The cervix allows sperm carrying spermatozoids to enter the uterus. Beyond the cervix is the Uterus, which is a hollow muscle that plays an important role during pregnancy, which is to carry the infant inside the body until birth. On each side of the uterus are the right and left ovaries.

from You Check : Master’s dissertation project

from Medical Illustration and Interaction Portfolio

from Medical Illustration and Interaction Portfolio

Isabella Bushko

from History, Unwrapped

from History, Unwrapped

from History, Unwrapped

Philipa Carruthers

from The Scottish Plant Lore Map

from The Creepypasta Sphere and Archive

from Kelvingrove Art Gallery and Museum (3D model)

from The Lost Collection of Terri P. Sheach

from The Lost Collection of Terri P. Sheach

Yuliya Chystaya

Fractured Pelvis Post-Surgery

from Volumetric Visualisation

Carcinoma of the Lungs

from Volumetric Visualisation

from Master’s Project: AR and 3D-based mobile application exploring brain anatomy

from The Life of Yeast

Indirect Volume Rendering of the Tooth

from Volumetric Visualisation

Danny Grant

from Hello Cutie

from Tedium Regnant

Gráinne Fellowes

from Card Only Contactless Preferred (Zine)

from Card Only Contactless Preferred (Zine)

from Card Only Contactless Preferred (Zine)

from Kelvingrove Art Gallery and Museum (3D Model)

from Gray Sounds

Gain Hahn

from An Explanatory Animation on B-Cell Malignancies and IBL-202 Treatment Mechanism

from An Explanatory Animation on B-Cell Malignancies and IBL-202 Treatment Mechanism

Felicity DeBari Herrington

Black and white image of Felicity Herrington

from SuperCell Creator

from SuperCell Creator

from 3D Modelling & Retopology

from SuperCell Creator

from Volumetric Visualisation

Hannah Horne

from SKilletonVR Oculus Quest

from SKilletonVR Oculus Quest

from SKilletonVR Oculus Quest

from SKilletonVR Oculus Quest

Sarah Iannucci

from Visualising SARS-CoV-2 Spike Protein Mutations: An Interactive Web-Based Application

from Visualising SARS-CoV-2 Spike Protein Mutations: An Interactive Web-Based Application

from Visualising SARS-CoV-2 Spike Protein Mutations: An Interactive Web-Based Application

from Visualising SARS-CoV-2 Spike Protein Mutations: An Interactive Web-Based Application

from Visualising SARS-CoV-2 Spike Protein Mutations: An Interactive Web-Based Application

Andrew Letailleur

My Apperance
Visual of In Game assets

from Home Isolation

Gameplay Snapshot

from Facial Recognition Game

Vinishree Verma

from Visionary Hub

from Activity Clock

from Product as a Service

from Step Zero for Net Zero

from Activity Clock

Lydia Stewart

from ReRooting Together

from Circular Fashion Box

from ReRooting Together

from Empowering Patient-led Rehabilitation

from ReRooting Together

Rosie Stobbie

from In Our Area

from Loop

from Loop

from Loop

from In Our Area

Martyna Sykta

from Protest Cookbook

from Inter–Bodies. Exploring Gendered (Un)safety Through Design

from Protest Cookbook

from Protest Cookbook

from Inter–Bodies. Exploring Gendered (Un)safety Through Design

Sheridan Tuck

from Urban Reciprocity + Regeneration

from Urban Reciprocity + Regeneration

from Urban Reciprocity + Regeneration

from Urban Reciprocity + Regeneration

from Urban Reciprocity + Regeneration

Katie Upsdale

from Reimagining Rehabilitation for Post-Pandemic Prisons

from Collaborative Futures: Glasgow’s Food Futures – Local Systems of Innovation in 2031

from Walking With Care

from Dancing with the Past

from Reimagining Rehabilitation for Post-Pandemic Prisons

Yingrui Wang

from New Chinese Medicine Care Service for Chinese Young Generation

from New Chinese Medicine Care Service for Chinese Young Generation

from New Chinese Medicine Care Service for Chinese Young Generation

from New Chinese Medicine Care Service for Chinese Young Generation

from New Chinese Medicine Care Service for Chinese Young Generation

Zhenyang Yan

from The Hobby Exchange Factory

from The Hobby Exchange Factory

from The Hobby Exchange Factory

from The Hobby Exchange Factory

from The Hobby Exchange Factory

Yating Yang

from Teru Toy – Prototyping

from Future plan

from Teru Toy – Research Process

from Teru Toy – Prototyping

from Video – Teru toy

Ruoxi Yin

from Banquet of the Gods – The Promotion of Water-and-land Painting

from Banquet of the Gods – The Promotion of Water-and-land Painting

from Banquet of the Gods – The Promotion of Water-and-land Painting

from Banquet of the Gods – The Promotion of Water-and-land Painting

from Banquet of the Gods – The Promotion of Water-and-land Painting

Wu Yue

Shiqi Zeng

from Promoting children’s creativity education through interactive innovation

from Promoting children’s creativity education through interactive innovation

from Promoting children’s creativity education through interactive innovation

from Promoting children’s creativity education through interactive innovation

from Promoting children’s creativity education through interactive innovation

Lucy Dickie

from The Crichton Trust’s Nutritious Earth

from The Crichton Trust’s Nutritious Earth

from The Crichton Trust’s Nutritious Earth

from The Crichton Trust’s Nutritious Earth

from The Crichton Trust’s Nutritious Earth

Bokang Fan

Ana Guerrero

from The Living Library

from The Living Library

from The Living Library

from The Living Library

from The Living Library

Pat Joyce

from Phronopolis

from Phronopolis

from Phronopolis

from Dancing with the Past: Connecting Communities Across Time

from Growing Masculinities: Speculation, Reflexivity, and Masculine Spaces

Rebecca Lee

The image is a paper cut artwork that looks layered and tactile. If you were to run your hands over it in real life you would feel at its centre a grouping of 5 cut out adult characters and one child. The cut out characters depict a group of marginalized UK Citizens at the core of the image. Two are seated in their wheelchairs. One stands behind wearing a hijab. The central character is mid - sign, signing ‘welcome’ in British Sign Language. If you are fluent in BSL you might recognize what she is saying more intimately than someone unfamiliar with the language. The last character is wrapped in a duvet with fluffy slippers on their feet clearly navigating fatigue. Behind them is a larger paper cut out of a shell. The shells spiral pattern is also cut out and coils outward from the group at it's centre. If experiencing the artwork in situ you would be able to touch the cut out spiral moving out from the characters in the centre around and out until you are touching the outer edge of the shell. I discuss the meaning of this image further within the body of text for my projects which I understand your screen reader should detect as you navigate my page and projects. Without the accompanying projects and text I hope you can find your own artistic meaning for the tactile artwork as a stand alone piece. Enabling folks to come to their own conclusions about what it means is why I have chosen this artwork as the feature image on my page.
A depiction of being spoken to by the Emerging Community Persona devised and created out of shared experience. Text reads 'Hi, How are you doing today? Recent times have been a lot, we aren't here to pretend they haven't. How is life treating you at the moment?'

from Keeping Up with the Future: Health & Citizenship Post-Pandemic Times

from Keeping Up with the Future: Health & Citizenship Post-Pandemic Times

from Sense Making: Exploring the Accessible Permaculture Garden

from Sense Making: Exploring the Accessible Permaculture Garden

from Sense Making: Exploring the Accessible Permaculture Garden

Angjin Li

from Design for 10%

from Design for 10%

from Design for 10%

from Design for 10%

Lauren – Haoning Liu

from Gynecological Self Test

from Gynecological Self Test

from No More Invisible Work

from Supplement of father’s role

from Mystery mushroom

Mihika Mehra

Feature Image

from Poli-Tik

from Poli-Tik

from Poli-Tik

from Poli-Tik

from Poli-Tik

Kirsten Nicholson

from Vacant Toolkit: A Creative and Community Led Planning Process

from Vacant Toolkit: A Creative and Community Led Planning Process

Yingzhi Ouyang

from

from

from

from

from

Aditya Patil

from Empowering the Patients

from Empowering the Patients

from Education for the Deprived

from Empowering the Patients

from Education for the Deprived

Alessandra Pizzuti

from Journey of Care

from ALL TOGETHER NOW

from ALL TOGETHER NOW

from ALL TOGETHER NOW

from ALL TOGETHER NOW

Eilidh Reilly

from She’s a Sweetie

from She’s a Sweetie

from She’s a Sweetie

from She’s a Sweetie

from She’s a Sweetie

Mengtian Wang

from 2. Rubbish Container

from 1. Landscape in Heart

from 4. Hidden under the leaves

from 3. Dream Eyes

from 2. Rubbish Container

Chandelle Waugh

from Fruit of the Womb

from Love Bomb

from Love Bomb

from Fruit of the Womb

from Love Bomb

Dorian-Orlando Weber

from Limited Effectiveness

from Me, alone in the studio with*out a view; also known as: 2020 or Nur ein Roter (Just a red one)

Dorian-Orlando Weber dorian-orlando.com The Portrait of the woman who doesn't want

from The Portrait Of The Woman Who Doesn’t Want To Be Called By Her Name

from Limited Effectiveness

from Limited Effectiveness

Kewei Xiong

from The Night Voyage

from The Night Voyage

from The Night Voyage

Wanqing Xu(wan)

from Monster

from Monster

02

from Part of me

from Monster

from Monster

Daria Zapala

from ATONAL REVOLUTION

from WORKS

from WORKS

from WORKS

from ATONAL REVOLUTION

Xiaofan Zhang

from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics

from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics

from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics

Double sided textile installation100x150cm, July, 2021

from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics

from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics

YJ Zheng – Elaine

from Neither Nor

from Neither Nor

from Neither Nor

from No Nation

from No Nation

Jana Aumueller

from Citizen science and community empowerment in landfill monitoring

from Citizen science and community empowerment in landfill monitoring

from Citizen science and community empowerment in landfill monitoring

from Citizen science and community empowerment in landfill monitoring

from Citizen science and community empowerment in landfill monitoring

Sam Barlow

from Sam Barlow

from Sam Barlow

from Sam Barlow

from Sam Barlow

from Sam Barlow

Edward Cox

Images showing interactions with the Active Travel Companion

from Active Travel Companion

from Active Travel Companion

from Active Travel Companion

from Active Travel Companion

from Active Travel Companion

Jiaxin Dai

from Build A Growing Team to Do Some Small Urban Farming Actions in Qing Shui Community

Alison Piper

from

from

from

from The Stone Age (2021)

from Minn Beach (2021)

Maja Liisberg Poulsen

from

from

from

from

from

Craig Redshift

from Ars Informatica

from Ars Informatica

from Gleaming Radiant Marble

from Ars Informatica

from Ars Informatica

The Fisherwomen

Anqi Zhuo

from LONG-LIFE HAIR DRYER

from LONG-LIFE HAIR DRYER

from LONG-LIFE HAIR DRYER

from LONG-LIFE HAIR DRYER

from LONG-LIFE HAIR DRYER

John Barry

from Lockdown with feathers

from Lockdown with feathers

from Lockdown with feathers

from The living room

from The living room

Jim Campbell

from

from

from

from Untitled

from

Li yuan

from 1994 Installation

from 1994 Installation

from Whole Room tour

from 1994 Installation

from 1994 Installation

Ralph de Jongh

from They might become fruitbowls

Megan Devenny

from

from

from

from

Eden Dodd

from ‘L.O.L (Lots of Love)’

from ‘Substitute’

from ‘Substitute’

from ‘Substitute’

from ‘Substitute’

Ruth Dorber

Mengran Feng

from Non-natural Alienation

from Non-natural Alienation

from Non-natural Alienation

from Non-natural Alienation

from Non-natural Alienation

Sophie Fulton

from Restriction. Intervention. Connection.

from Covid Conversations

from The New Normal? Zine

from A small place to bring candlelight to…

from A small place to bring candlelight to…

Bori Gheorghita

from

from Body and absence / Unrealistic reality II

from

from Placebo

from

Rosie Gilbertson

from And We Walk: Of Inconsolable Memories and Crucified Pleasure.

from And We Walk: Of Inconsolable Memories and Crucified Pleasure.

from And We Walk: Of Inconsolable Memories and Crucified Pleasure.

from And We Walk: Of Inconsolable Memories and Crucified Pleasure.

Annie Graham

from Colpo, 2021

from Installation View

from Contrapposto, 2021

from Colpo, 2021

from Colpo, 2021

Sam M Harley

Example of Page, Spot the Instagrammer
Sam M Harley, 1, Completed Pack

from Usher: One that Shows the Way

from Usher: One that Shows the Way

Example of Page, Spot the Instagrammer

from Usher: One that Shows the Way

from Usher: One that Shows the Way

from Usher: One that Shows the Way

Rachel Harris-Huffman

from Dear Wayfarer

from Dear Wayfarer

Siobhan Healy

Rachael Ryder

Portrait

from Would You Like to Get to Know Me? / Gestures

from Would You Like to Get to Know Me? / Gestures

from Would You Like to Get to Know Me? / Gestures

from Would You Like to Get to Know Me? / Gestures

from Would You Like to Get to Know Me? / Gestures

Yunqiu Li

from Control —— Yunqiu Li

from Control —— Yunqiu Li

from Control —— Yunqiu Li

from Control —— Yunqiu Li

from Control —— Yunqiu Li

RAMONA LINDSAY

from

from

from

from

from

Enxhi Mandija

A stretched canvas is photographed mid-air as it falls from a run-down wall partially covered by a large blooming purple buddleia plant

from The Mechanics of a Metaphor

A roofless, run-down room with exposed rusted rods and pillars and a large trellis of green weeds. A colourful painting is placed on a chair

from The Mechanics of a Metaphor

A colourful painting depicting a dream-like house is balanced on top of the back of a chair and rested against a blue wall

from The Mechanics of a Metaphor

A painting of a bunch of sunflowers is placed on the floor, at the corner of a room with unpainted, run-down walls.

from The Mechanics of a Metaphor

Monica Marshall (a.k.a. CLOWNCHIC)

from Degree Show Installation – SUMMER OF STENCH

from Degree Show Installation – SUMMER OF STENCH

from Etchings

from Degree Show Installation – SUMMER OF STENCH

from Degree Show Installation – SUMMER OF STENCH

Greta Martyniuk

from Traumatic Encounters

from Trauma Series 1

from Trauma Series 2

from Traumatic Encounters

from Trauma Series 1

Lesley Mcdermott

Russell McGovern

from But seas between us braid hae roar’d

from But seas between us braid hae roar’d

from But seas between us braid hae roar’d

from But seas between us braid hae roar’d

from But seas between us braid hae roar’d

Katie O’Grady

A poster of a white tree shape surrounded by a circular pattern of purple moon phases on a dark blue background. Written at the top is ‘Jack O’Flynn & Maria Sledmere’, at the bottom is ‘The Palace of Humming Trees, July 30th to August 8th, 11 AM - 5 PM (closed Monday & Tuesday), French Street Studios, 103 - 109 French Street, Glasgow, Preview: July 29th, 6 PM - 9PM

from THE PALACE OF HUMMING TREES

from THE PALACE OF HUMMING TREES

from THE PALACE OF HUMMING TREES

from THE PALACE OF HUMMING TREES

from THE PALACE OF HUMMING TREES

Sinuo Peng

from BODY

from BODY

Josafinni Porter Chambers

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

Qi Qian

from Pieces of Billy Milligan

from Pieces of Billy Milligan

from Pieces of Billy Milligan

from Pieces of Billy Milligan

from Pieces of Billy Milligan

Reema Rathi

from Lodging around Glasgow

from Lodging around Glasgow

from Rejuvenation

from Rejuvenation

from Radiation – 19

David Ross

from Digital Design – Craft Fabrication: Craft Pattern

from Digital Design – Craft Fabrication: Crafting Prototypes

from Digital Design – Craft Fabrication

from Digital Design – Craft Fabrication: Craft Pattern

from Digital Design – Craft Fabrication: Crafting Prototypes

Yang Shi

from NEST

from NEST

from NEST

from NEST

from NEST

Ruby Red South Moffat

from Life Recycling: An Alternative Feminist Narrative of Birth and Death

from The Interplanetary Womb

from Life Recycling: An Alternative Feminist Narrative of Birth and Death

from The Interplanetary Womb

from The Interplanetary Womb

Bingce Sun

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

Yuhan Sun

from Light and Shadow

from Light and Shadow

from Light and Shadow

from Light and Shadow

from Light and Shadow

Kaoru Takemoto

from

from

from ‘Who will turn on the lights?’

from

from

Calum Taylor

Final Look

from “Unintentional Collection-Look 3”

from “Unintentional Collection -Look 2”

from “Unintentional Collection- Look 5”

from “Unintentional Collection- Look 1”

from “Unintentional Collection- Look 4”

Peimeng Wang

Yanan Wang

from Furniture & Garments

from Furniture & Garments

Yindan Wang

from Self meets selves

from Self meets selves

from Self meets selves

from Self meets selves

from Self meets selves

Zoey Wang

from

from

from

from

from

WEIYI XIA

The Coming Out project aims to respond to and critique contemporary society's understanding and inclusion of gender and space. The significance of queer theory also lies in its challenge to traditional gay culture. Because it emphasizes gender diversity and deconstructive concepts of "gender" and binary gender systems, "gay" identity cannot be established, homosexuality is no longer dependent on the heterosexual hegemonic system, and "gay" identity is limited by the heterosexual identity, it is one of the binary. More importantly, queerness challenges all traditional values. It also means opening and closing the cabinet. Opening the closet is a way of revealing your sexuality to society and going to the new world. Closed cabinets meant isolation from society, and no outside interference with anti-capitalist surveillance.
Male to female

from Queer people

from Birth and Rebirth

Gay

from Queer people

How does organ function apply to space

from Bodies in architecture

Lesbian

from Queer people

Yijun Xing

from SKINLAND

from SKINLAND

from SKINLAND

from SKINLAND

from SKINLAND

Shuyu Xiong

Wei Yan

from Hello, Miss Fungus

from Hello, Miss Fungus

from ♾TIME is the HOST♾

from Hello, Miss Fungus

from Hello, Miss Fungus

Qianwen Yang

from A Best Day

from A Best Day

from A Best Day

from Nian

from A Best Day

Kaiqi Yi

from Major Project: Design an Advanced Cooling Panel for Gaming Laptop

from Major Project: Design an Advanced Cooling Panel for Gaming Laptop

from Major Project: Design an Advanced Cooling Panel for Gaming Laptop

from Major Project: Design an Advanced Cooling Panel for Gaming Laptop

from Major Project: Design an Advanced Cooling Panel for Gaming Laptop

Siqi Yu

from Plastiglomerate- New possibilities for communication between nature and man

from Plastiglomerate- New possibilities for communication between nature and man

from Plastiglomerate- New possibilities for communication between nature and man

from Plastiglomerate- New possibilities for communication between nature and man

from Plastiglomerate- New possibilities for communication between nature and man

XIN YU

from Entropy Farm

from Entropy Farm

from Entropy Farm

from Entropy Farm

from Entropy Farm

Bassel Yasser Zeid

from Foldable Bike Helmet

from Foldable Bike Basket

from Foldable Bike Basket

from Foldable Bike Helmet

from Foldable Bike Basket

JIANI ZHANG

from PLASTIC TREND / CLIMATE EMERGENCY AND SUSTAINABILITY

Shijie Zhang

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

Shiying Zhang

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

Ying Zhang

What is the connection between space and stomach? What is the commonality between them? Look for aspects such as the original functions and characteristics of both

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

Yixue Zhang

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

Zhihan Zhao

from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE

Chen Zheng

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

Yitong Zheng

from PROFESSIONAL PRACTICE PORTFOLIO

from PROFESSIONAL PRACTICE PORTFOLIO

from PROFESSIONAL PRACTICE PORTFOLIO

from PROFESSIONAL PRACTICE PORTFOLIO

from PROFESSIONAL PRACTICE PORTFOLIO

Ying Chang

from Hearing the Home

from Hearing the Home

from Hearing the Home

from Hearing the Home

from Hearing the Home

Chelsea Chen

from Ugly Hot Magazine

from Ugly Hot Magazine

from Ugly Hot Magazine

from Ugly Hot Magazine

from Ugly Hot Magazine

Lyes Chikhoun

Pengfei Dai

from Embrace of the city

from Embrace of the city

from Embrace of the city

from Embrace of the city

from Embrace of the city

Shuyuan Deng

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

Wenfei Gao

from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030

Mhairi Gregor

from The Rib Cage

from The Final Resting Place

from The Rib Cage

from The Rib Cage

from The Rib Cage

Simran Gupte

This image is a preview of the phenomenological explorations done

from Placed

from Placed

from Dialogue in Disguise

from Dialogue in Disguise

from Dialogue in Disguise

Kang He

from Public Privacy

from Public Privacy

In this project, I am interested in people’s future life in an environment of videoization including live streaming, long video and short video. How the private indoor space are disappeared? How could videoization change people’s life, work and space condition in the future? Could the screen be a part of domestic home, or is the house a terminal to share your life?

from Public Privacy

from Public Privacy

from Public Privacy

Shanshan Jiang

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

Mengyu Jiao

from Park Night Market

from Park Night Market

from Park Night Market

from Park Night Market

from Park Night Market

Eva Kyrimi

from The only home I ever had

from The only home I ever had

from The only home I ever had

from The only home I ever had

from The only home I ever had

Ruibao Li

from Paper Cuts – A portfolio of still life photographs contextualised in a small publication

from Paper Cuts – A portfolio of still life photographs contextualised in a small publication

from Paper Cuts – A portfolio of still life photographs contextualised in a small publication

from Paper Cuts – A portfolio of still life photographs contextualised in a small publication

The Zine of Paper cuts

from Paper Cuts – A portfolio of still life photographs contextualised in a small publication

Wenrui Li

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

Yanzhu Li

from

from

from

from Fold everything

from

Yuxin Li

from Edible Scraps

from Edible Scraps

from Edible Scraps

from Edible Scraps

from Edible Scraps

Chuchu Liang

from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole

Xiaoyi Liang

from Emotional Pill Box

from

from Emotional Pill Box

from Emotional Pill Box

from Emotional Pill Box

Ziye Lin

from Final Collections

from Final Collections

from Final Collections

from Final Collections

from Final Collections

Yun Liu

from Fake Playground

from Fake Playground

from Fake Playground

Welcome to the Fake Playground

from Fake Playground

from Fake Playground

Dennis Lum

from

from

from

from

from

Jonathan Mackinnon

from Waste Not, Want Not – WCW x V&A Commission

from Waste Not, Want Not – WCW x V&A Commission

from A Nationalisation of People – MDES Collection

from Waste Not, Want Not – WCW x V&A Commission

from Waste Not, Want Not – WCW x V&A Commission

Sally Mairs

from Threshold

from 25.05.21, SHORTS: Summer ’21

from Threshold

from 25.05.21, SHORTS: Summer ’21

from 25.05.21, SHORTS: Summer ’21

Alicia Milton

from Roads To Nowhere

from Stayin Inside

from Roads To Nowhere

from Roads To Nowhere

from Stayin Inside

Erin Moodie

from Behind the Facade

from Generational Identity in the Domestic interior

from Behind the Facade

from Behind the Facade

from Behind the Facade

Bichun Nie

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

Roba Al-Garny

from Public Square Artwork Inspired by Saudi Culture

from Public Square Artwork Inspired by Saudi Culture

from Public Square Artwork Inspired by Saudi Culture

from Public Square Artwork Inspired by Saudi Culture

from Public Square Artwork Inspired by Saudi Culture

Jekaterina Ancane

from Thresholds of Cowcaddens

from Thresholds of Cowcaddens

from Thresholds of Cowcaddens

from Thresholds of Cowcaddens

from Thresholds of Cowcaddens

Kejie Chen

from Connecting Communities for Mental Health

Ziyu Feng

from Woven Building

from Woven Building

from Woven Building

from Woven Building

from Woven Building

Lu Li

CHURCH OF SIGHS

from CHURCH OF SIGHS

Xinyu Liu

from Sculpting Daylight From An Architectural Gem

from Sculpting Daylight From An Architectural Gem

from Sculpting Daylight From An Architectural Gem

from Sculpting Daylight From An Architectural Gem

from Sculpting Daylight From An Architectural Gem

Jodie Barnacle-Best

from ‘Small things, nicely done’ imagery

from ‘Small things, nicely done’ final collection

from ‘Small things, nicely done’ imagery

from ‘Small things, nicely done’ imagery

from ‘Small things, nicely done’ final collection

Diana Bechmann

from Complex Dessert Zine

from Goldfin

from Complex Dessert Zine

from ARRET

from ARRET

Alice Callum

from DRAGGIN’ MY HEART BEHIND

from DRAGGIN’ MY HEART BEHIND

from DRAGGIN’ MY HEART BEHIND

from DRAGGIN’ MY HEART BEHIND

from DRAGGIN’ MY HEART BEHIND