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MLitt Fine Art Practice
26 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of six specialist pathways (Print Media, Sculpture, Painting, Performance, Drawing and Photography and the Moving Image). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.
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from Placebo
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from Non-natural Alienation
from Non-natural Alienation
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from Degree Show Installation – SUMMER OF STENCH
from Degree Show Installation – SUMMER OF STENCH
from Degree Show Installation – SUMMER OF STENCH
from Etchings
from Etchings
from Lockdown with feathers
from The living room
from The living room
from Lockdown with feathers
from The living room
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from Ars Informatica
from Ars Informatica
from Ars Informatica
from The Crossing
from Ars Informatica
from Parasite
from Can You Direct Me, Please
from Off
from Can You Seat Me, Please
from Can You Seat Me, Please
from 1994 Installation
from 1994 Installation
from 1994 Installation
from Whole Room tour
from Whole Room tour
from 1. Landscape in Heart
from 4. Hidden under the leaves
from 1. Landscape in Heart
from 2. Rubbish Container
from 1. Landscape in Heart
from Love Bomb
from Love Bomb
from Love Bomb
from Love Bomb
from Fruit of the Womb
from Monster
from Monster
from Monster
from Monster
from Monster
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from WORKS
from WORKS
from ATONAL REVOLUTION
from ATONAL REVOLUTION
from WORKS
from Trauma Series 1
from Trauma Series 2
from Traumatic Encounters
from Trauma Series 2
from Trauma Series 1
from They might become fruitbowls
from Colpo, 2021
from Colpo, 2021
from Installation View
from Colpo, 2021
from Contrapposto, 2021
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from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
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from Minn Beach (2021)
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from ‘Substitute’
from ‘Self-Punishment as Self-Deprecation’
from ‘Substitute’
from ‘Substitute’
from ‘L.O.L (Lots of Love)’
from Me, alone in the studio with*out a view; also known as: 2020 or Nur ein Roter (Just a red one)
from Limited Effectiveness
from The Portrait Of The Woman Who Doesn’t Want To Be Called By Her Name
from Limited Effectiveness
from The Self-Portrait Of The Man Who Doesn‘t Really Want To Talk About it