from Whole Room tour
from 1994 Installation
from 1994 Installation
from Whole Room tour
from 1994 Installation
MLitt Fine Art Practice
26 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of six specialist pathways (Print Media, Sculpture, Painting, Performance, Drawing and Photography and the Moving Image). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.
from Limited Effectiveness
from Limited Effectiveness
from Me, alone in the studio with*out a view; also known as: 2020 or Nur ein Roter (Just a red one)
from Limited Effectiveness
from Limited Effectiveness
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from The Stone Age (2021)
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from Traumatic Encounters
from Trauma Series 1
from Trauma Series 2
from Trauma Series 2
from Trauma Series 1
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from Ars Informatica
from Ars Informatica
from Ars Informatica
from Ars Informatica
from Ars Informatica
from Degree Show Installation – SUMMER OF STENCH
from Ballpoint Pen Drawings
from Degree Show Installation – SUMMER OF STENCH
from Etchings
from Ballpoint Pen Drawings
from
from Pile of Polyphemus
from Placebo
from Placebo
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from The living room
from Lockdown with feathers
from The living room
from Lockdown with feathers
from The living room
from Installation View
from Colpo, 2021
from Colpo, 2021
from Installation View
from Contrapposto, 2021
from 1. Landscape in Heart
from 1. Landscape in Heart
from 3. Dream Eyes
from 3. Dream Eyes
from 4. Hidden under the leaves
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from They might become fruitbowls
from Non-natural Alienation
from Non-natural Alienation
from Non-natural Alienation
from Non-natural Alienation
from Non-natural Alienation
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
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from WORKS
from WORKS
from WORKS
from WORKS
from WORKS
from Monster
from Monster
from Monster
from Part of me
from Monster
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from Merging
from Can You Direct Me, Please
from Quit It
from Blob
from Hold/Held
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from Fruit of the Womb
from Love Bomb
from Love Bomb
from Fruit of the Womb
from Fruit of the Womb
from ‘L.O.L (Lots of Love)’
from ‘Conversations with My Father’
from ‘Substitute’
from ‘Substitute’
from ‘Self-Punishment as Self-Deprecation’