
MDes Interior Design
35 students
Students on the Masters programme in Interior Design worked through lockdown, with their supervisors, in little island-clusters. This studio-archipelago enabled a fresh critique of disciplinary custom and practice. In a subject such as interiors, so entwined with the experiential, the material and the temporal, how could we bridge the space between the real and the virtual. When perspective is delivered through the narrow channels of the lens, mic, screen and speaker, how do we preserve meaning. When operating in a distributed way, how do we support diverse and distinct expressions of identity while maintaining meaningful interconnectedness.
These and other questions were floated between participants, their answers may be found embedded in the work you will discover here.


from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE


from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store


from The Entrance

from The Rib Cage

from The Rib Cage

from The Final Resting Place

from The Rib Cage


from

from

from

from

from


from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030


from Immortalising The Alternative Story

from Life Recycling: An Alternative Feminist Narrative of Birth and Death

from The Interplanetary Womb

from The Interplanetary Womb

from Immortalising The Alternative Story


from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING


from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example


from NEST

from NEST

from NEST

from NEST

from NEST


from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole


from Digital Design – Craft Fabrication

from Digital Design – Craft Fabrication

from Digital Design – Craft Fabrication: Crafting Prototypes

from Time is Malleable: Exhibition Ephemera

from Digital Design – Craft Fabrication


from Public Privacy

from Public Privacy

from Public Privacy

from Public Privacy

from Public Privacy


from Radiation – 19

from Radiation – 19

from Radiation – 19

from Radiation – 19

from Rejuvenation


from Behind the Facade

from Generational Identity in the Domestic interior

from Behind the Facade

from Behind the Facade

from Behind the Facade



from Pieces of Billy Milligan

from Pieces of Billy Milligan

from Pieces of Billy Milligan
from Scenary of split

from Pieces of Billy Milligan


from Entropy Farm

from Entropy Farm

from Entropy Farm

from Entropy Farm

from Entropy Farm


from Embrace of the city

from Embrace of the city

from Embrace of the city

from Embrace of the city

from Embrace of the city


from Fake Playground

from Fake Playground

from Fake Playground

from Fake Playground

from Fake Playground


from Emotional Pill Box

from Emotional Pill Box

from Emotional Pill Box

from Emotional Pill Box

from Emotional Pill Box


from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language


from Self meets selves

from Self meets selves

from Self meets selves

from Self meets selves

from Self meets selves


from Park Night Market

from Park Night Market

from Park Night Market

from Park Night Market

from Park Night Market


from ♾TIME is the HOST♾

from ♾TIME is the HOST♾

from Hello, Miss Fungus

from Hello, Miss Fungus

from Hello, Miss Fungus


from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse


from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage


from Bodies in architecture

from Queer people

from Bodies in architecture

from Queer people

from Bodies in architecture


from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?


from SKINLAND

from SKINLAND

from SKINLAND

from SKINLAND

from SKINLAND


from Placed

from Placed

from Retrace

from Dialogue in Disguise

from Dialogue in Disguise


from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach


from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future


from Hearing the Home

from Hearing the Home

from Hearing the Home

from Hearing the Home

from Hearing the Home


from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs


from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY