Interview
Podcast
vlog
MDes Interior Design
35 students
Students on the Masters programme in Interior Design worked through lockdown, with their supervisors, in little island-clusters. This studio-archipelago enabled a fresh critique of disciplinary custom and practice. In a subject such as interiors, so entwined with the experiential, the material and the temporal, how could we bridge the space between the real and the virtual. When perspective is delivered through the narrow channels of the lens, mic, screen and speaker, how do we preserve meaning. When operating in a distributed way, how do we support diverse and distinct expressions of identity while maintaining meaningful interconnectedness.
These and other questions were floated between participants, their answers may be found embedded in the work you will discover here.
Discussion
Panel
from The Symbolic Space of Language – The Case of Oroqen Language
from The Symbolic Space of Language – The Case of Oroqen Language
from The Symbolic Space of Language – The Case of Oroqen Language
from The Symbolic Space of Language – The Case of Oroqen Language
from The Symbolic Space of Language – The Case of Oroqen Language
from A new definition of vertical farms under global warming in the future
from A new definition of vertical farms under global warming in the future
from A new definition of vertical farms under global warming in the future
from A new definition of vertical farms under global warming in the future
from A new definition of vertical farms under global warming in the future
from Park Night Market
from Park Night Market
from Park Night Market
from Park Night Market
from Park Night Market
from ♾TIME is the HOST♾
from ♾TIME is the HOST♾
from ♾TIME is the HOST♾
from ♾TIME is the HOST♾
from ♾TIME is the HOST♾
from Hutong Memory- 2030
from Hutong Memory- 2030
from Hutong Memory- 2030
from Hutong Memory- 2030
from Hutong Memory- 2030
from Down The Rabbit Hole
from Down The Rabbit Hole
from Down The Rabbit Hole
from Down The Rabbit Hole
from Down The Rabbit Hole
from THE SCREEN THE BEDROOM AND THE BODY
from THE SCREEN THE BEDROOM AND THE BODY
from THE SCREEN THE BEDROOM AND THE BODY
from THE SCREEN THE BEDROOM AND THE BODY
from THE SCREEN THE BEDROOM AND THE BODY
from MeTA-LiFE
from MeTA-LiFE
from MeTA-LiFE
from MeTA-LiFE
from MeTA-LiFE
from NEST
from NEST
from NEST
from NEST
from NEST
from Scenary of split
from Pieces of Billy Milligan
from Pieces of Billy Milligan
from Pieces of Billy Milligan
from Pieces of Billy Milligan
from Digital Design – Craft Fabrication: Crafting Prototypes
from Time is Malleable: Exhibition Ephemera
from Time is Malleable: Exhibition Ephemera
from Digital Design – Craft Fabrication: Crafting Prototypes
from Time is Malleable: Exhibition Ephemera
from Embrace of the city
from Embrace of the city
from Embrace of the city
from Embrace of the city
from Embrace of the city
from Hearing the Home
from Hearing the Home
from Hearing the Home
from Hearing the Home
from Hearing the Home
from Entropy Farm
from Entropy Farm
from Entropy Farm
from Entropy Farm
from Entropy Farm
from Public Privacy
from Public Privacy
from Public Privacy
from Public Privacy
from Public Privacy
from Behind the Facade
from Behind the Facade
from Behind the Facade
from Behind the Facade
from Generational Identity in the Domestic interior
from Life Recycling: An Alternative Feminist Narrative of Birth and Death
from Life Recycling: An Alternative Feminist Narrative of Birth and Death
from Life Recycling: An Alternative Feminist Narrative of Birth and Death
from Immortalising The Alternative Story
from The Interplanetary Womb
from Emotional Pill Box
from Emotional Pill Box
from Emotional Pill Box
from Emotional Pill Box
from Emotional Pill Box
from Self meets selves
from Self meets selves
from Self meets selves
from Self meets selves
from Self meets selves
from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage
from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage
from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage
from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage
from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage
from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store
from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store
from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store
from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store
from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store
from Potential Common Points between Space and Stomach
from Potential Common Points between Space and Stomach
from Potential Common Points between Space and Stomach
from Potential Common Points between Space and Stomach
from Potential Common Points between Space and Stomach
from IN THE MOOD FOR SHARING
from IN THE MOOD FOR SHARING
from IN THE MOOD FOR SHARING
from IN THE MOOD FOR SHARING
from IN THE MOOD FOR SHARING
from Fake Playground
from Fake Playground
from Fake Playground
from Fake Playground
from Fake Playground
from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example
from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example
from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example
from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example
from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example
from SKINLAND
from SKINLAND
from SKINLAND
from SKINLAND
from SKINLAND
from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse
from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse
from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse
from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse
from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse
from Dialogue in Disguise
from Dialogue in Disguise
from Retrace
from Placed
from Retrace
from The Burial Vault
from The Rib Cage
from The Entrance
from The Rib Cage
from The Rib Cage
from Bodies in architecture
from Bodies in architecture
from Queer people
from Bodies in architecture
from Birth and Rebirth
from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?
from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?
from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?
from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?
from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?
from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs
from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs
from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs
from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs
from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs
from Radiation – 19
from Rejuvenation
from Lodging around Glasgow
from Rejuvenation
from Rejuvenation
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