
MDes Interior Design
35 students
Students on the Masters programme in Interior Design worked through lockdown, with their supervisors, in little island-clusters. This studio-archipelago enabled a fresh critique of disciplinary custom and practice. In a subject such as interiors, so entwined with the experiential, the material and the temporal, how could we bridge the space between the real and the virtual. When perspective is delivered through the narrow channels of the lens, mic, screen and speaker, how do we preserve meaning. When operating in a distributed way, how do we support diverse and distinct expressions of identity while maintaining meaningful interconnectedness.
These and other questions were floated between participants, their answers may be found embedded in the work you will discover here.


from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING

from IN THE MOOD FOR SHARING


from The Rib Cage

from The Final Resting Place

from The Final Resting Place

from The Rib Cage
from The Rib Cage


from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole

from Down The Rabbit Hole


from Self meets selves

from Self meets selves

from Self meets selves

from Self meets selves

from Self meets selves


from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030

from Hutong Memory- 2030



from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?

from Hide And Seek—-Anti-Surveillance Design: How can Interior Design protect identity, disrupt and resist the increase surveillance in our cityscapes?


from Park Night Market

from Park Night Market

from Park Night Market

from Park Night Market

from Park Night Market


from Lodging around Glasgow

from Radiation – 19

from Rejuvenation

from Rejuvenation

from Rejuvenation


from Emotional Pill Box

from Emotional Pill Box

from Emotional Pill Box

from Emotional Pill Box

from Emotional Pill Box


from SKINLAND

from SKINLAND

from SKINLAND

from SKINLAND

from SKINLAND


from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store

from ‘Re-Seeing’ three dimentional space through images —— the experience in retail store


from Hearing the Home

from Hearing the Home

from Hearing the Home

from Hearing the Home

from Hearing the Home


from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage

from Space Translation, Translate female consciousness in film Swallowtail Butterfly into spatial language utilizing montage


from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse

from The Narrative Space Design of Bathhouse Museum Based on Bergson’s Memory Theory —— Nanjing Urn-shaped Public Bathhouse


from Fake Playground

from Fake Playground

from Fake Playground

from Fake Playground

from Fake Playground


from Pieces of Billy Milligan

from Pieces of Billy Milligan
from Scenary of split

from Pieces of Billy Milligan

from Pieces of Billy Milligan


from Hello, Miss Fungus

from Hello, Miss Fungus

from Hello, Miss Fungus

from ♾TIME is the HOST♾

from Hello, Miss Fungus


from Dialogue in Disguise

from Placed

from Placed

from Retrace

from Placed


from The Interplanetary Womb

from Immortalising The Alternative Story

from Immortalising The Alternative Story

from Immortalising The Alternative Story

from Life Recycling: An Alternative Feminist Narrative of Birth and Death


from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language

from The Symbolic Space of Language – The Case of Oroqen Language


from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE

from MeTA-LiFE


from

from

from

from

from


from Bodies in architecture

from Bodies in architecture

from Bodies in architecture

from Birth and Rebirth

from Queer people


from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs

from “The Third Eye” —Exploring the use of interior power spaces between humans and dogs


from Entropy Farm

from Entropy Farm

from Entropy Farm

from Entropy Farm

from Entropy Farm


from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY

from THE SCREEN THE BEDROOM AND THE BODY


from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach

from Potential Common Points between Space and Stomach


from NEST

from NEST

from NEST

from NEST

from NEST


from Generational Identity in the Domestic interior

from Behind the Facade

from Behind the Facade

from Behind the Facade

from Behind the Facade


from Public Privacy

from Public Privacy

from Public Privacy

from Public Privacy

from Public Privacy


from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future

from A new definition of vertical farms under global warming in the future


from Embrace of the city

from Embrace of the city

from Embrace of the city

from Embrace of the city

from Embrace of the city


from Digital Design – Craft Fabrication: Crafting Prototypes

from Digital Design – Craft Fabrication: Craft Pattern

from Time is Malleable: Exhibition Ephemera

from Digital Design – Craft Fabrication: Crafting Prototypes

from Time is Malleable: Exhibition Ephemera


from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example

from Explore the construction of narrative scenes in modern dining spaces with artistic elements in traditional Peking opera. ——Take “The Monkey King” as an example