from Non-natural Alienation
from Non-natural Alienation
from Non-natural Alienation
from Non-natural Alienation
from Non-natural Alienation
MLitt Fine Art Practice
26 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of six specialist pathways (Print Media, Sculpture, Painting, Performance, Drawing and Photography and the Moving Image). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.
from Lockdown with feathers
from The living room
from The living room
from Lockdown with feathers
from Lockdown with feathers
from Love Bomb
from Love Bomb
from Fruit of the Womb
from Love Bomb
from Fruit of the Womb
from Can You Direct Me, Please
from Merging
from Merging
from Merging
from Hold/Held
from 2. Rubbish Container
from 4. Hidden under the leaves
from 2. Rubbish Container
from 2. Rubbish Container
from 1. Landscape in Heart
from Limited Effectiveness
from Me, alone in the studio with*out a view; also known as: 2020 or Nur ein Roter (Just a red one)
from Limited Effectiveness
from Limited Effectiveness
from The Self-Portrait Of The Man Who Doesn‘t Really Want To Talk About it
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from Installation View
from Installation View
from Contrapposto, 2021
from Colpo, 2021
from Contrapposto, 2021
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from Similar scenery: Intertextuality between different cultures based on Ecological Aesthetics
from
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from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from She’s a Sweetie
from ‘Conversations with My Father’
from ‘Substitute’
from ‘Substitute’
from ‘Self-Punishment as Self-Deprecation’
from ‘Substitute’
from Monster
from Monster
from Monster
from Monster
from Monster
from Trauma Series 1
from Trauma Series 1
from Trauma Series 1
from Trauma Series 2
from Traumatic Encounters
from 1994 Installation
from 1994 Installation
from Whole Room tour
from 1994 Installation
from 1994 Installation
from Placebo
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from Pile of Polyphemus
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from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Control —— Yunqiu Li
from Ars Informatica
from Ars Informatica
from Ars Informatica
from Ars Informatica
from Ars Informatica
from They might become fruitbowls
from
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from
from
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from But seas between us braid hae roar’d
from Etchings
from Ballpoint Pen Drawings
from Etchings
from Degree Show Installation – SUMMER OF STENCH
from Degree Show Installation – SUMMER OF STENCH
from WORKS
from ATONAL REVOLUTION
from ATONAL REVOLUTION
from WORKS
from ATONAL REVOLUTION