Life Recycling: An Alternative Feminist Narrative of Birth and Death

Life Recycling: An alternative feminist narrative of Birth and Death revolves around creating a feminist spatial design, which combines the experiences of Birth and Death. The fundamental aims of the project are to restore the role of femininity in the events of Birth and Death, to encapsulate feminist ideals within an interior space and to adapt an overall feminine approach to design. In doing so adding to the ever-growing discourse surrounding feminism in regard to Interior Design and challenging the limits and parameters of the subject. As well as this the objective is to create a non-religious solution that provides acceptance and comfort when confronted with the subject of our own mortality.

Researching feminist discourse was integral to my project as well as the exploration of films, literature, design and art. Key findings from my research were the many correlations between Birth and Death, the historical relationship between women and nature within the interior and the connection between femininity, sentiment and ritual. I also adapted a feminine approach to the design process which incorporated fluid research methods such as imaginative drawing, collages, experimentation and 3D modelling. From such studies I was able to unearth an in-depth understanding of my project which fuelled core developments of the project.

The result of my research manifested in three identical structures which act as temporary birth/burial Life Recycling centres, the skin of the buildings are designed to decompose after five years allowing nature to reclaim the site. Core mechanisms within the design are underground Metamorphic Pods which use the energy produced by deceased bodies to grow artificial wombs where babies are grown, and Decomposing Ornamental Graves which serve as a form of remembrance for the deceased and for parent(s)[1] of born/unborn babies. The project acts as feminist interpretation of spatial practice which challenges the rules, conventions and male canon of design and academia.

[1] Parent(s) referring to the variable combinations of guardians due to the use of Artificial Wombs.

The structural skeletons are entirely made of wood, whilst the fabric of the building is made of Mushroom Mycelium which will begin to decay after five years. When the mycelium begins its decomposition, the building will become open to all members of the public, as when it’s in use the only inhabitants are loved ones of the deceased, parents of the babies, and on-site Birth and Death doulas. Nature will always be present within the site due to its correlation with femininity and as time passes nature will grow freely and collide, merge and combine with the structures and the spaces will eventually transition into public memorial parks. The transition between private (Feminine) to public (Masculine) challenges and blurs binary gender roles, which is reflective of the societal reconfiguration the design generates due to the implication of Artificial Wombs. The decomposition and regeneration of the spaces reflects the ethos behind the project which is the acceptance and celebration of the course of Mother Nature. This subsequently provides a non-religious solution to find peace with the subject of mortality.
The use of Mycelium is essential to the concept of the project as fungi play a vital role in the eco system as they aid the decomposition of dead animals and plants. The macrostructure of Mycelium is intricate and beautiful and is therefore a physical manifestation of the beauty within decay. Additionally, it symbolises the natural cycle of life. The necessity of cycles as a core attribute to the project is In homage to the pregnancy and menstrual cycle of the woman. The design liberates the women which inhabit the potential future/universe I have created and frees them of their anatomical duty to give birth. In response to this the structure acts as a celebratory memorial in honour of female anatomy as the interior walls mimic the shape of the reproductive system which have been the foundations of civilisation